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Please be aware that this programme
also contains

2
00:00:02,880 --> 00:00:04,960
themes of sexual violence.

3
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I was born on Hope Hill Plantation
1733.

4
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I am 292 years old.

5
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Matthew!

6
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Matthew...

7
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I am set to return to Bristol.

8
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And I would counsel you to do
the same. As my wife.

9
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Matthew.

10
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You will be escorted
to county jail

11
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where you will face
the appropriate punishment.

12
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I am no Obeah-man.
Do not affront me!

13
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(SWARM BUZZING)
(OMINOUS MUSIC)

14
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(SCREAMS)

15
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We're here to talk about Alfred's
will and Oliver's inheritance.

16
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You're not getting it back.

17
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Did you lock it?
No.

18
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It's stuck.

19
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Is that Cudjoe?
I think he wants to hurt me.

20
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(GROANS)
Wait!

21
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(CRIES OUT)

22
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(DOORS SLAMMING)
(OMINOUS WHISPERS)

23
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(GHOSTLY CRY)
(GROANING)

24
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(CRUNCH)
(LOW, OMINOUS MUSIC)

25
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(PANICKED BREATHING)

26
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(SOFT DRAMATIC MUSIC)
(INSECTS BUZZING)

27
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(CARRIAGE APPROACHING)

28
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(HORSE NEIGHS)

29
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(FOOTSTEPS)

30
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The coach pull up out back.

31
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Good luck in England.

32
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♪ When I think of
look at I'm coming from

33
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♪ Looking back at
where the journey begun

34
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♪ I really haffi say that
I'm strong, I'm strong

35
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♪ All praises to the most high one

36
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♪ When I tell you
where I'm coming from

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♪ Looking back at
where the journey begun

38
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♪ I really haffi say
that I'm strong, I'm strong

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♪ All praises

40
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(VOCALISING)

41
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♪ To the most high
To the most high

42
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♪ To the most high

43
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♪ To the most high
To the most high

44
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♪ To the most high ♪

45
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(LOW, OMINOUS STING)

46
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(GASPS, PANTS)

47
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(CRUNCHING)
Oliver? Oliver!

48
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(COUGHING)
Can you hear me?

49
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Shit.

50
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OK.

51
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(VOMITS, RETCHES)

52
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(SINISTER MUSIC)
(SQUELCHING)

53
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Drink something.

54
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What- what happened?

55
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I- I don't-

56
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Was I attacked?

57
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He's coming.

58
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What are you doing?

59
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I'm fucking defending myself.

60
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How could he attack you
from out there?

61
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He's a Obeah-man.

62
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This is punishment
for what my ancestors did to his.

63
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Get a knife out of the drawer.
No! Oliver! For fucks sake!

64
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I don't know what's going on here,

65
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but if you're going to kill
each other, it's gone too far, OK?

66
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Drop the appeal and leave.

67
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(LOW, TENSE MUSIC)

68
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That's your solution?

69
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Just let it go.

70
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Oh, God!
(GASPS)

71
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(GRUNTS)
(LOW, OMINOUS MUSIC)

72
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(TENSE, DRAMATIC MUSIC)

73
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(PANTING)

74
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(CRUNCH)
(BAR CLATTERS)

75
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(GROANS)

76
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(DOOR JUDDERS)

77
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(SINISTER STING)
(CRIES OUT)

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(LOW, TENSE MUSIC)

79
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(ENGINE NOT TURNING OVER)

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Come on!

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(SINISTER STING)
(CRIES OUT)

82
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Bomboclaat!
Cudjoe?

83
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(TENSE, DRAMATIC MUSIC)

84
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Come! Come!

85
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(ENGINE REVS)

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Go! Go! Go!

87
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(MUSIC ENDS)
Hold that boy!

88
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(GROUP SPEAKING PATOIS)

89
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(CAR HONKING)
Move!

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(ALL CRY OUT)

91
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Woah, woah, woah, woah!
Oh my God.

92
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(GROUP YELLING)

93
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(MUSIC ENDS)

94
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(TYRES GRIND)

95
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(SOFT MYSTERIOUS STEEL DRUM MUSIC)

96
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(CRUNCH)
(GASPING)

97
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(SCREAMS)

98
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(MUFFLED) Hey? Hey?

99
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(NORMAL) You OK?

100
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Show me your scalp.
What?

101
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Show me your scalp!

102
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(IN PATOIS)
I'm not gonna ask you again!

103
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Part your hair!
OK! OK!

104
00:07:13,200 --> 00:07:14,759
Let me see your hand dem.

105
00:07:14,760 --> 00:07:16,480
Your hand dem, your finger dem.

106
00:07:17,960 --> 00:07:19,439
What- what are you looking for?

107
00:07:19,440 --> 00:07:22,239
A mark. A scar. Open your mouth.

108
00:07:22,240 --> 00:07:23,560
(SIGHS)

109
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Oliver had a mark.

110
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There's a scar on his finger.

111
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It got caught in the door.
(SOFT GROAN)

112
00:07:37,920 --> 00:07:39,920
Is it Obeah?
No...

113
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This is not Obeah.

114
00:07:45,400 --> 00:07:47,319
This is something different.

115
00:07:47,320 --> 00:07:49,200
(SOFT MYSTERIOUS MUSIC)

116
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He's possessed.

117
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Possessed by what?

118
00:07:58,160 --> 00:07:59,480
My sister.

119
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(CLOCK CHIMING)

120
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(SIGHS)

121
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(SOFT CHATTER AND MUSIC)

122
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(DOOR OPENS)

123
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I am looking for my husband?

124
00:08:30,800 --> 00:08:33,920
Charlotte? Oh.

125
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(CHUCKLES)

126
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Absorbed by the darkness,

127
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he could not see his own hand
in front of his face.

128
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And as the haze cleared, he noticed
a figure in the candlelight...

129
00:08:48,800 --> 00:08:52,879
...and then he heard the voice
of the conductor once more,

130
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whispering...

131
00:08:56,520 --> 00:08:58,479
Ah!
(CRIES OUT)

132
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(LAUGHTER)

133
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Oh, Mrs Connaught.

134
00:09:06,080 --> 00:09:07,919
Are you, are you feeling better?

135
00:09:07,920 --> 00:09:09,160
I'm sorry?

136
00:09:11,320 --> 00:09:13,240
Weren't- Weren't you sick?

137
00:09:16,480 --> 00:09:17,600
No?

138
00:09:26,040 --> 00:09:27,360
Rum.

139
00:09:29,120 --> 00:09:32,480
(GENTLE MUSIC AND CONVERSATION)

140
00:09:34,840 --> 00:09:38,399
Mrs Connaught,
might I introduce you to Mr Waite.

141
00:09:38,400 --> 00:09:42,080
He sits with my husband on the board
of the new British Museum.

142
00:09:46,560 --> 00:09:49,600
Can we have another ghost story,
Mr Connaught?

143
00:09:50,720 --> 00:09:52,199
Mr Waite?

144
00:09:52,200 --> 00:09:53,440
Oh no.

145
00:09:54,520 --> 00:09:56,079
What about you?

146
00:09:56,080 --> 00:10:00,640
Did you ever happen upon one of
those old Coromantee witch doctors?

147
00:10:04,520 --> 00:10:06,480
I knew an Obeah-man.
(SOFT SQUEAL)

148
00:10:07,360 --> 00:10:08,960
Tell us more.

149
00:10:10,240 --> 00:10:12,319
He poisoned my father's mind.

150
00:10:12,320 --> 00:10:13,759
To what end?

151
00:10:13,760 --> 00:10:15,159
To win his favour.

152
00:10:15,160 --> 00:10:18,439
Perhaps your good father was just
fond of the poor chap.

153
00:10:18,440 --> 00:10:19,680
(LAUGHTER)

154
00:10:20,560 --> 00:10:23,759
He took the slave
for his own kin, sir.

155
00:10:23,760 --> 00:10:25,600
That is more than fondness.

156
00:10:26,880 --> 00:10:29,199
I have seen a tongue cut
at the vein,

157
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treated with no more severity
than a toothache.

158
00:10:31,880 --> 00:10:33,479
(LOW, OMINOUS MUSIC)

159
00:10:33,480 --> 00:10:36,639
I have seen a woman transform
into a swarm of mosquitoes,

160
00:10:36,640 --> 00:10:38,799
attack all those with white skin,

161
00:10:38,800 --> 00:10:40,999
leaving a throng
of negroes unaffected.

162
00:10:41,000 --> 00:10:43,240
(SWARM BUZZING)
(CRYING OUT)

163
00:10:46,080 --> 00:10:47,760
Obeah is very real.

164
00:10:49,000 --> 00:10:50,960
We all have reason to fear it.

165
00:11:00,320 --> 00:11:02,880
Mrs Connaught. I apologise.

166
00:11:03,680 --> 00:11:05,040
I embarrassed you.

167
00:11:07,640 --> 00:11:08,920
(CLEARS THROAT)

168
00:11:09,680 --> 00:11:13,120
I'm eager to hear more
about this Obeah-man.

169
00:11:14,200 --> 00:11:15,880
(MUSIC FADES, ENDS)

170
00:11:22,760 --> 00:11:24,080
(DOOR OPENS)

171
00:11:53,160 --> 00:11:55,360
(LOW, TENSE MUSIC)

172
00:12:05,360 --> 00:12:06,560
(DOOR CLOSES)

173
00:12:13,800 --> 00:12:15,919
(MUFFLED CHATTER)

174
00:12:15,920 --> 00:12:19,319
If you're going to be such a naughty
boy I shall tell your Papa,

175
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and there will be no supper for you!

176
00:12:23,480 --> 00:12:24,880
(CHUCKLES)

177
00:12:36,960 --> 00:12:39,560
(SOFT DRAMATIC MUSIC)
Madam.

178
00:12:57,680 --> 00:12:59,600
Your Latin has improved.

179
00:13:01,000 --> 00:13:02,399
What did you think?

180
00:13:02,400 --> 00:13:04,640
Ovid. Metamorphosis.

181
00:13:05,440 --> 00:13:06,760
It is a fiction.

182
00:13:07,880 --> 00:13:10,239
I am grateful for your tutelage,
Mr Waite,

183
00:13:10,240 --> 00:13:12,039
but it has been four months.

184
00:13:12,040 --> 00:13:15,199
You told me negroes were not
the only purveyors of sorcery.

185
00:13:15,200 --> 00:13:18,199
And the purpose of these meetings
was the study of a ritual magic.

186
00:13:18,200 --> 00:13:20,000
Not school boy Latin.

187
00:13:43,120 --> 00:13:44,360
(SIGHS)

188
00:13:48,840 --> 00:13:50,720
(SOFT MYSTERIOUS MUSIC)

189
00:14:03,640 --> 00:14:05,480
Mostly Latin. German.

190
00:14:06,440 --> 00:14:07,999
A little Greek.

191
00:14:08,000 --> 00:14:11,440
I thought you should be able
to understand it before you read it.

192
00:14:12,880 --> 00:14:14,359
What is it?

193
00:14:14,360 --> 00:14:17,600
A grimoire.
Early European ritual magic.

194
00:14:18,280 --> 00:14:22,039
It is believed to be incredibly
potent in my circles,

195
00:14:22,040 --> 00:14:25,480
though I have not yet met a man able
to harness its power.

196
00:14:29,440 --> 00:14:31,200
Has a woman ever read it?

197
00:14:33,400 --> 00:14:37,560
(SOFT DRAMATIC MUSIC)

198
00:14:56,320 --> 00:14:57,800
(SOFT MOANING)

199
00:14:59,720 --> 00:15:00,880
(SPITS)

200
00:15:03,200 --> 00:15:04,240
(GRUNTS)

201
00:15:11,120 --> 00:15:12,240
(SIGHS)

202
00:15:16,160 --> 00:15:18,400
(SEXUAL GRUNTS)

203
00:15:20,120 --> 00:15:23,480
(BOTH MOANING)

204
00:15:29,000 --> 00:15:30,440
(MAN VOMITS)

205
00:15:33,040 --> 00:15:34,520
(DOOR CLOSES)

206
00:16:18,360 --> 00:16:19,600
(KISS)

207
00:16:22,320 --> 00:16:23,640
(KISS)

208
00:16:26,400 --> 00:16:28,040
(SNAP, CRUNCH)

209
00:16:33,240 --> 00:16:35,200
(GROANS)

210
00:16:40,600 --> 00:16:42,360
Will you not even touch me?

211
00:16:43,760 --> 00:16:45,800
Stop. Stop.

212
00:16:50,520 --> 00:16:53,479
This was a contract.
You well know that.

213
00:16:53,480 --> 00:16:54,999
You have your stations.

214
00:16:55,000 --> 00:16:56,799
We both have seen
benefits from this union-

215
00:16:56,800 --> 00:16:57,960
What benefit?!

216
00:16:59,400 --> 00:17:01,639
I have seen the ledgers.
We are in debt.

217
00:17:01,640 --> 00:17:04,279
You are a drunk and a gambler and-

218
00:17:04,280 --> 00:17:06,360
What do you want, Charlotte?

219
00:17:09,120 --> 00:17:13,800
Affection I do not have to beg for
or compete for.

220
00:17:15,120 --> 00:17:16,680
To be paid attention to.

221
00:17:17,520 --> 00:17:19,000
To have someone...

222
00:17:20,440 --> 00:17:23,160
...who- who exists for me.

223
00:17:32,960 --> 00:17:35,440
My father never had
a kind word for me.

224
00:17:36,400 --> 00:17:39,799
I know what it is to not be wanted.

225
00:17:39,800 --> 00:17:42,759
I cannot make you feel for me
what you do not.

226
00:17:42,760 --> 00:17:46,039
I well understand that.
I'm not as stupid as you suppose.

227
00:17:46,040 --> 00:17:49,199
Then why do you insist on hanging
off me like a dog on heat!

228
00:17:49,200 --> 00:17:52,000
Because there is no other way
for me to have a child.

229
00:17:54,160 --> 00:17:55,760
You owe me that.

230
00:17:56,960 --> 00:17:59,160
You have taken everything from me.

231
00:18:00,760 --> 00:18:02,520
At least give me that.

232
00:18:08,720 --> 00:18:11,560
(LOW, TENSE MUSIC)

233
00:18:16,640 --> 00:18:18,120
(DISGRUNTLES GROWL)

234
00:18:22,200 --> 00:18:23,560
(DOOR OPENS)

235
00:18:24,240 --> 00:18:25,719
(DOOR CLOSES)

236
00:18:25,720 --> 00:18:28,360
(SOFT MYSTERIOUS PIANO MUSIC)

237
00:18:29,480 --> 00:18:30,960
(ANGRY GRUNT)

238
00:18:41,720 --> 00:18:43,160
(GRUNTS)

239
00:18:47,480 --> 00:18:50,720
(MUSIC GROWS TENSE)

240
00:19:00,000 --> 00:19:02,840
(MYSTERIOUS WHISPERS)

241
00:19:14,400 --> 00:19:17,320
(LOW, OMINOUS MUSIC)

242
00:19:25,000 --> 00:19:28,240
(MYSTERIOUS WHISPERS CONTINUE)

243
00:19:53,160 --> 00:19:55,920
(OMINOUS MUSIC BUILDS)

244
00:19:57,000 --> 00:19:58,240
(GRUNTS)

245
00:20:15,680 --> 00:20:16,440
(MUSIC ENDS)

246
00:20:18,486 --> 00:20:19,560
(MUSIC ENDS)

247
00:20:28,840 --> 00:20:31,880
(LOW, TENSE MUSIC)

248
00:20:56,600 --> 00:20:57,880
(CLANG)

249
00:21:00,400 --> 00:21:04,519
♪ What a difference a day makes

250
00:21:04,520 --> 00:21:05,800
(CRUNCH)
(GRUNTS)

251
00:21:08,200 --> 00:21:11,560
♪ 24 little hours

252
00:21:13,240 --> 00:21:16,559
(THUDDING)

253
00:21:16,560 --> 00:21:19,959
♪ Brought the sun and the flowers

254
00:21:19,960 --> 00:21:21,480
(MUSIC ENDS)

255
00:21:27,640 --> 00:21:28,960
Did I do that?

256
00:21:29,920 --> 00:21:31,480
Don't worry about it, man.

257
00:21:32,440 --> 00:21:34,119
So he's possessed?

258
00:21:34,120 --> 00:21:36,359
Zombie.
He spoke to me.

259
00:21:36,360 --> 00:21:39,159
We had the same conversation
we were having ten minutes before.

260
00:21:39,160 --> 00:21:42,119
You say he was dashed up against
the ceiling,

261
00:21:42,120 --> 00:21:45,199
and he attacked you and
if I hadn't come in, wudda kill yuh.

262
00:21:45,200 --> 00:21:46,639
I don't know how it works y'know.

263
00:21:46,640 --> 00:21:49,680
But if you said the man changed
and he carries that scar...

264
00:21:51,160 --> 00:21:52,440
...then it's her.

265
00:21:53,480 --> 00:21:54,720
It's Charlotte.

266
00:21:55,520 --> 00:21:57,200
Angelo had that scar.

267
00:21:59,360 --> 00:22:02,960
We are all at risk as long as
she can tear something from us.

268
00:22:03,840 --> 00:22:06,360
Hair, nails, skin.

269
00:22:06,960 --> 00:22:09,280
She was put away. Contained.

270
00:22:10,360 --> 00:22:13,639
I don't know, me an Angelo were
the only people who knew

271
00:22:13,640 --> 00:22:14,839
about that trunk.

272
00:22:14,840 --> 00:22:17,239
She was in the trunk?
In the bedroom?

273
00:22:17,240 --> 00:22:20,400
You saw it?
Just when I got there I...

274
00:22:22,200 --> 00:22:23,679
You opened it?

275
00:22:23,680 --> 00:22:26,919
Why? It was wrapped up.

276
00:22:26,920 --> 00:22:28,120
Tight!

277
00:22:29,440 --> 00:22:31,600
Hidden away.
It was a box.

278
00:22:32,200 --> 00:22:34,120
An empty box!
You let her out.

279
00:22:34,880 --> 00:22:36,759
And she took a hold of him
and she kill him.

280
00:22:36,760 --> 00:22:39,959
The reason your friend is dead
is because he killed himself.

281
00:22:39,960 --> 00:22:42,839
He did not want to be alive.
That is not my fault!

282
00:22:42,840 --> 00:22:45,520
She make him kill himself!

283
00:22:47,640 --> 00:22:49,040
Angelo was a good man.

284
00:22:49,720 --> 00:22:52,000
He cared about people.

285
00:22:53,720 --> 00:22:54,879
What about you?

286
00:22:54,880 --> 00:22:57,839
You never came here because
it was the right thing to do.

287
00:22:57,840 --> 00:23:00,959
You, you saw an opportunity.

288
00:23:00,960 --> 00:23:03,439
And you came here to satisfy
your own greed.

289
00:23:03,440 --> 00:23:06,160
So yes. It is your fault.

290
00:23:07,040 --> 00:23:08,359
(KISSES TEETH)

291
00:23:08,360 --> 00:23:10,400
Go on! Go on back to him!

292
00:23:15,360 --> 00:23:17,120
And see what happen to you!

293
00:23:20,280 --> 00:23:21,519
(SLAM)

294
00:23:21,520 --> 00:23:22,840
Woman! Move!

295
00:23:24,880 --> 00:23:26,360
(HORN BLARES)

296
00:23:31,320 --> 00:23:33,720
Get in.
(SOFT DRAMATIC MUSIC)

297
00:23:39,600 --> 00:23:40,920
Don't slam me door.

298
00:23:49,840 --> 00:23:52,480
(LOW, OMINOUS MUSIC)

299
00:24:14,160 --> 00:24:17,560
Mr Connaught, er come round.
Come through.

300
00:24:18,640 --> 00:24:19,840
(GATE BUZZES)

301
00:24:35,880 --> 00:24:38,559
Pack your tings.
I'll take you to the airport.

302
00:24:38,560 --> 00:24:40,520
What's gonna happen to Oliver?

303
00:24:42,040 --> 00:24:46,439
Me's not an Obeah-man, y'know.
I do not know.

304
00:24:46,440 --> 00:24:49,320
Look-
(CRUNCH, GROANS)

305
00:24:52,680 --> 00:24:54,000
Oh my God.

306
00:24:59,000 --> 00:25:00,439
(SIGHS)

307
00:25:00,440 --> 00:25:02,439
Me alright, man.
Are you sure?

308
00:25:02,440 --> 00:25:04,080
Me alright. Go on, go pack.

309
00:25:08,960 --> 00:25:10,640
Would you come up with me?

310
00:25:18,000 --> 00:25:20,360
(LOW, OMINOUS MUSIC)

311
00:25:30,040 --> 00:25:31,360
You can come.

312
00:25:41,960 --> 00:25:44,200
You said Oliver was a zombie.

313
00:25:46,880 --> 00:25:48,880
When I said zombie...

314
00:25:51,200 --> 00:25:54,400
...I'm not talking about
something in a horror film, y'know?

315
00:25:58,120 --> 00:25:59,480
It's like...

316
00:26:01,000 --> 00:26:04,800
...taking away your sense of self.

317
00:26:05,560 --> 00:26:09,159
You think the worst thing
is to be owned.

318
00:26:09,160 --> 00:26:10,639
(SOMBRE MUSIC)

319
00:26:10,640 --> 00:26:12,879
Then you outlive everybody
you care for.

320
00:26:12,880 --> 00:26:14,519
(SOFT LAUGHTER)

321
00:26:14,520 --> 00:26:16,120
B, very good, Abby.

322
00:26:18,000 --> 00:26:20,120
That sends you crazy.

323
00:26:22,160 --> 00:26:24,519
But you outlive crazy.

324
00:26:24,520 --> 00:26:25,680
Sarah!

325
00:26:26,440 --> 00:26:27,679
Matthew.

326
00:26:27,680 --> 00:26:29,440
You outlive sad.

327
00:26:30,480 --> 00:26:31,840
Stupid.

328
00:26:34,480 --> 00:26:37,200
Starving and suicidal.

329
00:26:39,480 --> 00:26:41,800
(SOMBRE MUSIC CONTINUES)

330
00:26:45,560 --> 00:26:49,720
I don't... want life.

331
00:26:52,320 --> 00:26:53,800
I hate it.

332
00:26:56,080 --> 00:26:57,880
But I wrestle with it.

333
00:26:59,560 --> 00:27:01,960
Better to be unhappy and free.

334
00:27:03,000 --> 00:27:05,000
Than an eternal slave.

335
00:27:06,760 --> 00:27:10,560
(DOOR CREAKS)
(LOW, OMINOUS MUSIC)

336
00:27:24,560 --> 00:27:27,000
(OMINOUS WHISPERS)

337
00:27:45,640 --> 00:27:46,920
Lie.

338
00:28:12,960 --> 00:28:15,800
(MUSIC CONTINUES)

339
00:28:43,720 --> 00:28:45,800
(SOFT GRUNT)

340
00:28:56,840 --> 00:28:59,440
(LOW, OMINOUS MUSIC CONTINUES)

341
00:29:34,720 --> 00:29:36,200
(PAINED GRUNT)

342
00:29:38,320 --> 00:29:39,680
(HEAVY BREATH)

343
00:29:52,320 --> 00:29:55,000
(HEAVY BREATHING)

344
00:30:06,000 --> 00:30:08,760
(LOW, OMINOUS MUSIC CONTINUES)

345
00:30:09,720 --> 00:30:11,120
(KISSES)

346
00:30:31,680 --> 00:30:33,240
(GRUNTED YELL)

347
00:30:39,920 --> 00:30:41,400
(GRUNTED YELL)

348
00:30:43,800 --> 00:30:47,000
(GRUNTING)

349
00:30:49,040 --> 00:30:51,600
(TENSE, DRAMATIC MUSIC)

350
00:30:53,000 --> 00:30:56,720
(SENSUAL MOANING)

351
00:30:58,640 --> 00:31:00,360
(YELLS)

352
00:31:03,520 --> 00:31:05,480
(MUSIC INTENSIFIES)

353
00:31:06,520 --> 00:31:07,959
(MUSIC ENDS)

354
00:31:07,960 --> 00:31:11,159
(WOMAN SINGING, PLAYING DRUMS)

355
00:31:11,160 --> 00:31:13,320
(GROUP SINGS)

356
00:31:14,840 --> 00:31:16,440
(BABY FUSSES)

357
00:31:20,480 --> 00:31:24,000
(SINGING CONTINUES)

358
00:31:26,600 --> 00:31:28,439
Take time!

359
00:31:28,440 --> 00:31:30,320
(LOW, OMINOUS MUSIC)

360
00:31:36,600 --> 00:31:38,239
(BABY FUSSES)

361
00:31:38,240 --> 00:31:39,720
Oh my love...

362
00:31:41,360 --> 00:31:43,840
It's alright. It's alright.

363
00:31:47,560 --> 00:31:50,560
(LOW, OMINOUS MUSIC CONTINUES)

364
00:31:52,800 --> 00:31:55,680
(WET GURGLING)

365
00:31:56,400 --> 00:31:59,160
(MUSIC ENDS)
(BABY CRYING)

366
00:32:05,000 --> 00:32:06,800
When will his father arrive?

367
00:32:08,920 --> 00:32:10,240
Bring some rum.

368
00:32:15,760 --> 00:32:16,880
(SIGHS)

369
00:32:17,640 --> 00:32:21,080
I see no reason to be any less than
frank with you, Mr O'Connell.

370
00:32:21,760 --> 00:32:25,240
My husband is a gambler.
I have to pay my creditors.

371
00:32:25,880 --> 00:32:27,599
That is why I've come back.

372
00:32:27,600 --> 00:32:32,560
To oversee our expansion and,
well to improve both our prospects.

373
00:32:35,600 --> 00:32:38,079
Heretofore I have
'em out six days a week.

374
00:32:38,080 --> 00:32:39,919
Well there are seven days in a week.

375
00:32:39,920 --> 00:32:42,920
(SCOFFS)
They cannot work without rest.

376
00:32:44,120 --> 00:32:45,400
Aye?

377
00:32:49,720 --> 00:32:52,800
Are you a god fearing man,
Mr O'Connell?

378
00:32:55,280 --> 00:32:56,520
Well.

379
00:32:58,280 --> 00:33:01,919
You and I, we've seen tricks
more powerful

380
00:33:01,920 --> 00:33:03,760
than any I heard from a pulpit.

381
00:33:07,600 --> 00:33:10,200
Sarah! Come!

382
00:33:11,200 --> 00:33:13,600
(LOW, OMINOUS MUSIC)

383
00:33:20,720 --> 00:33:22,400
Take off your head dress.

384
00:33:28,280 --> 00:33:29,480
(LAUGHS)

385
00:33:30,640 --> 00:33:32,360
You fraidy fraidy?

386
00:33:33,840 --> 00:33:36,000
(BABY CRYING)

387
00:33:47,680 --> 00:33:50,600
Oh, my darling.

388
00:33:51,880 --> 00:33:53,760
My darling boy.

389
00:33:58,480 --> 00:34:01,320
(LOW, OMINOUS MUSIC CONTINUES)

390
00:34:07,880 --> 00:34:10,640
(SINISTER MUSIC BUILDS)

391
00:34:13,160 --> 00:34:14,399
(MUSIC FADES, ENDS)

392
00:34:14,400 --> 00:34:16,879
Ready?
You know we have to leave now.

393
00:34:16,880 --> 00:34:21,839
Look, you understand
why I'm struggling with this.

394
00:34:21,840 --> 00:34:22,919
Don't you?

395
00:34:22,920 --> 00:34:24,719
I'm not lying.

396
00:34:24,720 --> 00:34:26,999
You said you were
three hundred years old.

397
00:34:27,000 --> 00:34:29,040
Charlotte cursed me.

398
00:34:30,720 --> 00:34:31,920
Right.

399
00:34:33,560 --> 00:34:34,800
Be quick.

400
00:34:35,840 --> 00:34:37,160
I'll wait in the car.

401
00:34:39,560 --> 00:34:41,880
(LOW, TENSE MUSIC)

402
00:34:45,680 --> 00:34:46,840
Hello?
Dad?

403
00:34:50,520 --> 00:34:51,800
(KISSES TEETH)

404
00:34:55,880 --> 00:34:58,079
What the hell is going on?
Your office called me!

405
00:34:58,080 --> 00:35:00,639
They said there'd been a serious
incident and you'd gone AWOL!

406
00:35:00,640 --> 00:35:02,040
(KNOCKING)
Police!

407
00:35:03,680 --> 00:35:06,320
Listen. I'm coming home, OK.

408
00:35:07,120 --> 00:35:09,119
But if you don't hear from me
in 24 hours,

409
00:35:09,120 --> 00:35:10,519
call the embassy in Jamaica.

410
00:35:10,520 --> 00:35:12,199
What?!
(KNOCKING)

411
00:35:12,200 --> 00:35:13,599
Open the door!
Claudia?!

412
00:35:13,600 --> 00:35:15,079
Police! Open the door!

413
00:35:15,080 --> 00:35:16,399
Claudia?!
Police.

414
00:35:16,400 --> 00:35:18,759
Open the door and come out
with your hands up. Now!

415
00:35:18,760 --> 00:35:20,559
OK, I'm coming!
(WOOD SPLINTERS)

416
00:35:20,560 --> 00:35:23,199
Don't move! Hands on your head!

417
00:35:23,200 --> 00:35:25,079
Turn around!
Interlock your fingers!

418
00:35:25,080 --> 00:35:26,320
Room clear!

419
00:35:27,840 --> 00:35:30,599
(SOFT CLAMOUR)
(OMINOUS MUSIC BUILDS)

420
00:35:30,600 --> 00:35:32,159
Ma'am,
we have to leave the building.

421
00:35:32,160 --> 00:35:34,080
Wait, hold on.
I wanna know what's happening.

422
00:35:39,480 --> 00:35:40,720
Don't resist.

423
00:35:46,600 --> 00:35:48,039
Claudia McKenzie,

424
00:35:48,040 --> 00:35:51,679
I'm arresting you on suspicion of
aiding and abetting a criminal

425
00:35:51,680 --> 00:35:54,119
and grievous bodily harm.
What?!

426
00:35:54,120 --> 00:35:55,760
Nice to see you again, too.

427
00:35:57,040 --> 00:35:58,760
Let's go. Let's go.

428
00:36:01,160 --> 00:36:03,400
DAD: Claudia?! Claudia!

429
00:36:05,240 --> 00:36:08,080
(OTHER PRISONERS CALLING OUT)

430
00:36:17,160 --> 00:36:20,080
(LOW, TENSE MUSIC CONTINUES)

431
00:36:23,240 --> 00:36:25,320
Hey girl, what ya looking at?!

432
00:36:31,448 --> 00:36:33,080
(MUSIC ENDS)

433
00:36:35,920 --> 00:36:38,040
WOMAN'S VOICE: (WHISPERED) It burns.

434
00:36:39,760 --> 00:36:41,040
Burns.

435
00:36:49,960 --> 00:36:53,200
(TENSE OMINOUS MUSIC)

436
00:37:01,720 --> 00:37:04,200
(DOOR CREAKS)

437
00:37:12,080 --> 00:37:13,959
It burns.
(SCREAM)

438
00:37:13,960 --> 00:37:16,760
(INDISTINCT MUTTERING)

439
00:37:22,640 --> 00:37:26,439
"I contacted my solicitor,
Claudia McKenzie, yesterday evening

440
00:37:26,440 --> 00:37:29,480
with a routine query,
but we got cut off.

441
00:37:32,400 --> 00:37:35,959
Shortly after the call, she turned
up unannounced at Hope Hill

442
00:37:35,960 --> 00:37:38,040
and insisted we leave immediately.

443
00:37:39,320 --> 00:37:42,679
Within minutes of her arrival,
there was a power outage

444
00:37:42,680 --> 00:37:44,719
and we found the exits sealed.

445
00:37:44,720 --> 00:37:47,679
It was at this point I noticed
someone in the annexe,

446
00:37:47,680 --> 00:37:49,639
who I believed to be Cudjoe East,

447
00:37:49,640 --> 00:37:52,880
the man with whom I'm currently
engaged in a legal dispute.

448
00:37:54,000 --> 00:37:58,319
Ms McKenzie suggested he was trying
to intimidate us

449
00:37:58,320 --> 00:38:01,480
and advised withdrawing
our appeal to placate him.

450
00:38:02,520 --> 00:38:03,959
I disagreed.

451
00:38:03,960 --> 00:38:07,279
She seemed stressed and upset
with my decision,

452
00:38:07,280 --> 00:38:10,119
at which point,
her demeanour became threatening.

453
00:38:10,120 --> 00:38:11,359
(SIGHS)

454
00:38:11,360 --> 00:38:13,879
She hit me with a tin can
and I hit my head.

455
00:38:13,880 --> 00:38:17,800
Then Cudjoe East entered the house
and began to beat me with a poker.

456
00:38:18,560 --> 00:38:20,880
I don't remember anything
after this."

457
00:38:22,200 --> 00:38:23,560
May I see that?

458
00:38:25,800 --> 00:38:27,760
Were you 'stressed and upset'?

459
00:38:30,680 --> 00:38:31,839
No comment.

460
00:38:31,840 --> 00:38:34,399
Were you acting under duress?

461
00:38:34,400 --> 00:38:35,800
No comment.

462
00:38:38,920 --> 00:38:44,240
We take the abduction and kidnap
of foreign nationals very seriously.

463
00:38:46,000 --> 00:38:49,720
So if there's anything you need
to tell me, now's the time.

464
00:38:51,000 --> 00:38:52,480
No comment.

465
00:38:55,000 --> 00:38:59,920
Would you say your interest in
Mr East is singularly professional?

466
00:39:01,120 --> 00:39:02,480
No comment.

467
00:39:04,520 --> 00:39:07,239
He waited outside your hotel,
while you packed.

468
00:39:07,240 --> 00:39:08,999
Were you planning
on leaving together?

469
00:39:09,000 --> 00:39:10,640
That's a reach, detective.

470
00:39:12,000 --> 00:39:13,520
Where is he, Claudia?

471
00:39:17,600 --> 00:39:19,080
Control from SWAT.

472
00:39:22,560 --> 00:39:24,319
WOMAN: Attention all units.

473
00:39:24,320 --> 00:39:26,799
Cudjoe East's vehicle has
been located.

474
00:39:26,800 --> 00:39:29,799
The suspect should be considered
armed and dangerous.

475
00:39:29,800 --> 00:39:32,040
(DISTANT SIRENS)

476
00:39:41,400 --> 00:39:44,040
Handsome,
buy something from me, now.

477
00:39:46,200 --> 00:39:48,920
(LOW, TENSE MUSIC)

478
00:39:59,680 --> 00:40:01,559
Stop right there! Stop! Stop!

479
00:40:01,560 --> 00:40:03,120
Stop! Stop!

480
00:40:04,280 --> 00:40:06,480
In the meat market!
(OFFICERS CLAMOUR)

481
00:40:13,440 --> 00:40:15,240
(MUSIC FADES, ENDS)

482
00:40:17,000 --> 00:40:19,200
Mr Connaught wants to talk to you.

483
00:40:19,880 --> 00:40:21,200
Absolutely not. No way.

484
00:40:23,240 --> 00:40:27,079
Look, engage with them.
Show some willingness to co-operate.

485
00:40:27,080 --> 00:40:29,120
Why do I have to talk to him.

486
00:40:33,080 --> 00:40:34,640
I think he wants to help you.

487
00:40:35,360 --> 00:40:37,759
The police want to press charges.

488
00:40:37,760 --> 00:40:39,839
Maybe he wants to protect you
from that.

489
00:40:39,840 --> 00:40:42,920
That man does not want
to protect me.

490
00:40:45,640 --> 00:40:47,559
Miss McKenzie,

491
00:40:47,560 --> 00:40:52,319
I'm sure that whatever you have been
through, it was deeply unpleasant.

492
00:40:52,320 --> 00:40:55,560
However, my focus,
is to ensure your release.

493
00:40:56,400 --> 00:40:59,400
And I do believe you are going
to have to talk to him.

494
00:41:02,920 --> 00:41:05,640
(LOW, TENSE STING)

495
00:41:12,960 --> 00:41:14,280
Hi.

496
00:41:16,280 --> 00:41:19,439
I think Mr Connaught has shown
a lot of class showing up here

497
00:41:19,440 --> 00:41:21,039
today and trying to help you.

498
00:41:21,040 --> 00:41:22,479
You hit me with a poker.

499
00:41:22,480 --> 00:41:25,879
What? Why would I do that?

500
00:41:25,880 --> 00:41:28,439
You're my solicitor.
We're on the same side.

501
00:41:28,440 --> 00:41:31,919
I just I- I'd never dream
of hurting you.

502
00:41:31,920 --> 00:41:33,520
Then how do you explain this?

503
00:41:34,200 --> 00:41:36,120
Well how do you explain this?

504
00:41:37,560 --> 00:41:40,479
Fuck. Maybe it is me.

505
00:41:40,480 --> 00:41:44,199
May- maybe I've got it wrong?
My head's not a hundred percent.

506
00:41:44,200 --> 00:41:47,279
And um, it's been
a rough couple of weeks.

507
00:41:47,280 --> 00:41:48,640
My dad. And...

508
00:41:50,520 --> 00:41:51,880
I miss my son.

509
00:41:54,880 --> 00:41:58,399
But if I- if I- if I did anything-
if I said anything

510
00:41:58,400 --> 00:42:01,720
to upset you, I- I'm- I'm sorry, OK?

511
00:42:03,000 --> 00:42:05,480
I just-
I just don't remember doing it.

512
00:42:07,520 --> 00:42:09,639
But if that's what you
say happened then-

513
00:42:09,640 --> 00:42:12,040
then- then maybe
there's some truth to it.

514
00:42:13,240 --> 00:42:16,160
Look I- I- I trust you
and I- I trust your judgement.

515
00:42:17,520 --> 00:42:19,040
But I don't trust him.

516
00:42:20,720 --> 00:42:23,559
I mean, forget this fixation
he has with being,

517
00:42:23,560 --> 00:42:26,000
what- what was he saying,
three hundred years old?

518
00:42:26,960 --> 00:42:28,840
He just doesn't like me.

519
00:42:30,120 --> 00:42:31,519
And why would he.

520
00:42:31,520 --> 00:42:34,480
I'm the only thing standing between
him and fifty million pounds.

521
00:42:35,560 --> 00:42:38,160
The first time he met me he tried
to kick the shit out of me.

522
00:42:38,880 --> 00:42:40,520
I mean that's
who we're dealing with.

523
00:42:41,640 --> 00:42:45,679
Matthew, he's just-
He's a manipulative, calculating man

524
00:42:45,680 --> 00:42:47,880
and he only cares about
getting what he wants.

525
00:42:51,160 --> 00:42:52,440
Matthew?

526
00:42:53,480 --> 00:42:55,880
(SOFT MYSTERIOUS MUSIC)

527
00:43:00,040 --> 00:43:01,440
Who's Matthew?

528
00:43:04,960 --> 00:43:07,039
(SINISTER STING)
(CRIES OUT)

529
00:43:07,040 --> 00:43:09,680
Alright, stop! This stops now!

530
00:43:11,200 --> 00:43:12,320
Sorry.

531
00:43:20,520 --> 00:43:23,360
(TENSE OMINOUS MUSIC)

532
00:43:26,800 --> 00:43:28,480
Hello? Hi?

533
00:43:29,200 --> 00:43:30,559
What?

534
00:43:30,560 --> 00:43:31,999
What was that?

535
00:43:32,000 --> 00:43:34,639
You're not making any progress.
You can't find him.

536
00:43:34,640 --> 00:43:35,879
We have his vehicle.

537
00:43:35,880 --> 00:43:38,560
We're waiting for a forensics team
to sweep the interior.

538
00:43:41,280 --> 00:43:42,760
Feeling better then?

539
00:43:45,680 --> 00:43:46,960
Hmm.

540
00:43:48,840 --> 00:43:51,400
(MUSIC CONTINUES)

541
00:43:57,720 --> 00:44:00,280
(GENTLE MUSIC)

542
00:44:22,600 --> 00:44:24,880
(DEEP BREATH)

543
00:44:50,760 --> 00:44:54,040
(GENTLE MUSIC CONTINUES)

544
00:45:19,400 --> 00:45:21,440
(LOW, OMINOUS MUSIC)

545
00:45:36,440 --> 00:45:39,960
(CLATTERING)

546
00:45:53,800 --> 00:45:56,560
(MUSIC FADES, ENDS)

547
00:46:01,280 --> 00:46:04,120
(SINISTER MUSIC)

548
00:46:08,040 --> 00:46:10,320
(SQUELCHING)

549
00:46:20,000 --> 00:46:22,399
(MUSIC ENDS)

550
00:46:22,400 --> 00:46:25,840
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